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Silent films --- Motion pictures --- History and criticism. --- History.
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Traces the relationships between the early Westerns, other cinematic genres of the period, and other popular media
Motion pictures. --- Western films. --- Western films --- Film --- Music, Dance, Drama & Film --- History and criticism --- Motion pictures --- History. --- History and criticism. --- Silent films --- United States --- Arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- motion pictures --- film
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early Latin American visual culture --- Latin American cinema --- Latin american precinema --- Silent films --- Cinematography --- Motion pictures --- History and criticism --- History --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Photography --- Chronophotography --- Moving pictures, Silent --- Silent motion pictures --- Animated pictures --- Silent films. --- Motion pictures. --- Cinematography. --- Latin America. --- Asociación Latinoamericana de Libre Comercio countries --- Neotropical region --- Neotropics --- New World tropics --- Spanish America --- early latin american visual culture --- latin american cinema --- latin american precinema
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"This magisterial book offers comprehensive accounts of the professional itineraries of three women in the silent film in the Netherlands, France and North America. Annette Förster presents a careful assessment of the long career of Dutch stage and film actress Adriënne Solser; an exploration of the stage and screen careers of French actress and filmmaker Musidora and Canadian-born actress and filmmaker Nell Shipman; an analysis of the interaction between the popular stage and the silent cinema from the perspective of women at work in both realms; fresh insights into Dutch stage and screen comedy, the French revue and the American Northwest drama of the 1910s; and much more, all grounded in a wealth of archival research" -- Provided by publisher.
Women in motion pictures. --- Silent films --- Motion picture actors and actresses --- History and criticism. --- Solser, Adriënne, --- Musidora. --- Shipman, Nell, --- Motion pictures --- Shipman, Helen Barham, --- Barham, Helen Foster-, --- Foster-Barham, Helen, --- Roques, Jeanne --- Women's Careers, Silent Film, Popular Theatre, Acting, Filmmaking.
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The first study by an acclaimed American scholar of the artistic interdependencies between the German and the Hollywood cinema in the 1920s.
Lubitsch, Ernst --- Filmkunst. --- Silent films --- Stomme films. --- History and criticism. --- Lubitsch, Ernst, --- Criticism and interpretation. --- Motion picture producers and directors --- Motion pictures --- Producteurs et réalisateurs de cinéma --- Films muets --- Cinéma --- Histoire et critique --- Criticism and interpretation --- Germany --- History and criticism --- United States --- Moving pictures, Silent --- Silent motion pictures --- 7.150. --- motion pictures --- film
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Essays on a neglected period, focusing on the face and fate of popular cinema.
Film --- anno 1910-1919 --- anno 1900-1909 --- Germany --- Motion pictures --- #SBIB:309H1313 --- #SBIB:309H1320 --- #SBIB:AANKOOP --- History --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History. --- Motion pictures -- Databases. --- Motion pictures --Germany --History. --- Motion pictures. --- Silent films. --- Music, Dance, Drama & Film --- Cinéma --- Industrie cinématographique --- Allemagne --- 1895-1929
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Before the advent of television, cinema offered serialised films as a source of weekly entertainment. This book traces the history from the days of silent screen heroines to the sound era's daring adventure serials, unearthing a thriving film culture beyond the self-contained feature. Through extensive archival research, Ilka Brasch details the aesthetic appeals of film serials within their context of marketing and exhibition and that they adapt the pleasures of a flourishing crime fiction culture to both serialised visual culture and the affordances of the media-modernity of the early 20th century. The study furthermore traces how film serials brought the broadcast model of radio and television to the big screen and thereby introduced models of serial storytelling that informed popular culture even beyond the serial's demise.
Motion pictures --- Silent films --- History. --- Moving pictures, Silent --- Silent motion pictures --- Film serials --- History and criticism. --- History --- Chapterplay films --- Cliffhanger films --- Episode films --- Motion picture serials --- Moving-picture serials --- Serials, Film --- Film serials. --- ART --- PERFORMING ARTS --- Theatre studies. --- Film theory & criticism. --- Electronic, holographic & video art. --- Film & Video. --- Film --- History & Criticism. --- Show business --- Arts --- Performance art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Aesthetics --- Art, Primitive --- General & world history
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